In this
article on Andy Warhol, the author explores Warhol’s art, style, approach, and
overall meaning. What I found interesting here is that Warhol, in a sense, was
mass culture and elite culture at the same time. It was brilliant. Warhol was a
solitary man most of his life, and as an artist, he was a successful illustrator
in the New York art scene. The art world is a fickle beast, and Warhol’s
success is a bit of an anomaly. When Warhol was first written off as a mass-produced
illustrator who would never have unique pieces of valuable art, he turned the
art world on its head. Warhol repurposed the pop culture and mass culture all
around him into elite culture items. His career launched, and Warhol is still
considered one of the most important artists of the 20th century
Warhol pictured here with Michael Jackson, showing how big of a pop icon Warhol really was
The mark of
a great artist had always a matter of unique and relatable perspective. Curators
and collectors payed attention to brush strokes, colors, subject matter, feelings
evoked, feelings expressed, etc. At least that is how I think we judge art. But
Warhol cracked some kind of code and somehow took mass culture ideas and made
them unique. He took mass culture, and then sold them as elite culture.
Warhol's Campbell's soup can series, release in 1962.
Photo of the famous Marilyn Monroe piece, 1962-1967
Be a standing cinema
Dress my friends up just for show
See them as they really are
Put a peephole in my brain
Two New Pence to have a go
I'd like to be a gallery
Put you all inside my show
Andy Warhol looks a scream
Hang him on my wall
Andy Warhol, Silver Screen
Can't tell them apart at all
Source
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